Five star - Latest Top Rated Film Reviews from the Guardian

Anora review – Sean Baker’s screwball Cinderella tale vaults him towards greatness
Mikey Madison is outstanding as an exotic dancer who marries an oligarch’s son in Baker’s fiery and profane Palme d’Or-winning comedy drama - Xan Brooks
Kate Bush: Little Shrew review – this devastating film will make you weep at war’s violence against children
Written, directed and soundtracked by Bush, built up from sketches she drew herself, this four-minute animation is suffused with both love and horror - Ben Beaumont-Thomas
The Warriors review – Lin-Manuel Miranda and Eisa Davis come out to play with firecracker musical
This concept album based on Walter Hill’s 1979 film features megastar rappers, Hamilton alumni and styles from metalcore to salsa – it is pulled off with breathtaking brio - Chris Wiegand
Soundtrack to a Coup d’Etat review – finger-popping theory of the conspiracy to kill Congo’s leader
Johan Grimonprez’s fascinating documentary suggests that the US used jazz legend Louis Armstrong in a ‘cool war’ offensive to assassinate Patrice Lumumba - Peter Bradshaw
Union review – fighting for your rights under the Amazon corporate jackboot
This documentary follows the formation of the Amazon Labor Union, showing how difficult it is for workers working for a company determined to efface their rights - Peter Bradshaw
Hyper: The Stevie Hyper D Story review – massively entertaining portrait of legendary MC
Even those unfamiliar with 90s drum’n’bass will feel invited in and educated by an impeccably crafted account of this charismatic and vibrant pioneer - Leslie Felperin
The Last Dance review – Chinese funeral business is backdrop for arresting, life-affirming drama
An irascible priest loses his patience with a newcomer to Hong Kong’s funeral traditions in punchy melodrama of a film - Phil Hoad
Gladiator II review – Paul Mescal slays in Ridley Scott’s gobsmacking reboot
Scott’s return to the Roman arena is something of a repeat, but it’s still a thrilling spectacle and Mescal a formidable lead. We are entertained - Peter Bradshaw
Magpie review – Daisy Ridley shines in tense, compelling portrait of a toxic relationship
Fantastic performances from the leads – you can practically hear the eggshells cracking as Ridley tiptoes around the vanities and insecurities of husband Shazad Latif - Catherine Bray
Bird review – Andrea Arnold’s wild, joyous coming-of-age drama
Arnold’s feral, fantastical drama set in the rundown Kent of her childhood stars remarkable newcomer Nykiya Adams as a marginalised child who makes a strange new friend - Wendy Ide
No Other Land review – stark, unflinching West Bank documentary
This award-winning account by Palestinian and Israeli film-makers of the brutal expulsion of Palestinian villagers by the Israeli army is essential viewing - Wendy Ide
Point Break review – Keanu and Swayze ride the waves with freaky, genre-hopping style
Kathryn Bigelow’s action-bromance about bank-robbing surfer dudes is an enduring cult gem, thanks to its joining of tropes and tones - Peter Bradshaw
No Other Land review – an Israeli and Palestinian’s remarkable relationship
When Palestinian villages were bulldozed to make way for the Israeli military, it brought together a film-maker and a journalist from across the divide - Peter Bradshaw
Unbreakable: The Jelena Dokic Story review – electrifying film details violent abuse and remarkable resilience
The former tennis champion is candid about her father’s abuse in this visceral and often sad documentary - Luke Buckmaster
Heretic review – Hugh Grant’s move to the dark side is a triumph
Two young missionaries get more than they bargained for in this taut horror menaced by Grant’s devil disguised in comfortable knitwear - Xan Brooks
Small Things Like These review – Cillian Murphy shines as quiet hero in powerful 80s Ireland morality tale
Claire Keegan’s acclaimed Magdalene laundries novella reaches the big screen in director Tim Mielant’s atmospheric adaptation - Xan Brooks
Heretic review – religious horror with a suave, dapper and evil Hugh Grant
Two young missionaries visit a man at his cavernous house to discuss Mormon doctrines but get drawn into a psychological game of terror and manipulation - Peter Bradshaw
Godzilla Minus One/Minus Color review – magnificent monster in mono
Black and white re-release of one of the fire-breathing lizard’s best outings looks terrific and has an intriguingly ambiguous human lead actor - Catherine Bray
Turn Me On review – dystopia’s kindly new manners
Michael Tyburski’s intelligent and funny film features a young couple seduced by an apparently bland regime promising to tidy away messy emotions - Catherine Bray
Slingshot review – Casey Affleck is impeccable in solid sci-fi saga
An unexplained impact leaves a mission to Saturn’s moon, Titan, in catastrophic danger, with Affleck and a skeleton crew struggling to keep a grip on reality - Phil Hoad
Wallace & Gromit: Vengeance Most Fowl review – first they came for the trousers. Then they came for the robot gnome
Feathers McGraw is back and implacably frightening as ever in Aardman’s latest, belated outing for everyone’s favourite cheese eating duo - Catherine Shoard
Dahomey review – Mati Diop’s exquisite tale of repatriation
In this lyrical hybrid documentary, the French director brings to life 26 stolen artefacts as they make their way from Paris back to Benin - Wendy Ide
Black Box Diaries review – Japanese journalist’s courageous documentary about her own rape ordeal
Shiori Itō’s account of her sexual assault by a high-profile colleague, and her fight for justice, is a tough but important watch - Wendy Ide
Emilia Pérez review – Jacques Audiard’s riotously entertaining trans Mexican cartel musical
The veteran French director takes a huge gamble with this gritty crime thriller turned glitzy soap opera boasting standout performances from Zoe Saldaña, Karla Sofía Gascón and Selena Gomez - Wendy Ide
A Nightmare on Elm Street review – jauntily outrageous slasher is still cheerfully crass
Johnny Depp makes his film debut in Wes Craven’s imperfect but entertaining horror that still has considerable black-comic energy - Peter Bradshaw
Watership Down review – charming rabbit animation still has power to terrify
A band of rabbits must leave their warren to find safety in a film that, even in a digital age, still has the bloody force to scare young minds - Peter Bradshaw
The Room Next Door review – Almodóvar’s English-language debut is extravagant and engrossing
Julianne Moore and Tilda Swinton give luxuriously self-aware performances as two old friends who are reunited in a doggedly mysterious drama - Peter Bradshaw
Black Box Diaries review – inside the remarkable events that triggered Japan’s #MeToo movement
Japanese journalist Shiori Itō tells how she pursued her rape case against a prominent TV executive - Peter Bradshaw
Woman of the Hour review – Anna Kendrick’s 70s-set true crime thriller is a winner
A serial killer tale unfolds in California’s TV land in the US actor’s fine directorial debut, in which she also stars - Wendy Ide
A Sudden Glimpse to Deeper Things review – vivid portrait of 20th-century artist Wilhelmina Barns-Graham
Mark Cousins’s poetic documentary about the late St Ives-based Scottish artist is among his finest films - Wendy Ide
Smile 2 review – horribly entertaining fright sequel
Naomi Scott shines as a troubled pop star in Parker Finn’s even more gruesome follow-up - Wendy Ide
The Wild Robot review – lost-in-the-jungle Roz joins animation’s robot greats
Superbly voiced by Lupita Nyong’o, the star of DreamWorks’ classy adaptation of Peter Brown’s bestseller learns to survive on a harsh, uninhabited island - Wendy Ide
The Apprentice review – Jeremy Strong is the Trump card in measured biopic of the Donald
The Succession star chills as US lawyer Roy Cohn opposite Sebastian Stan as his grasping protege Donald Trump in Ali Abbasi’s intriguing drama - Wendy Ide
Saint Maud review – desire, despair and ‘godgasms’ as Rose Glass’s shocker comes to life
Brogan Gilbert gives an extraordinary performance as the troubled nurse caring for a terminally ill dancer in a compelling adaptation of the 2019 horror film - Chris Wiegand
The Remarkable Life of Ibelin review – moving tale of disabled gamer’s digital double life
Using World of Warcraft-style animation, this documentary tells the story of Mats Steen, a boy with muscular dystrophy whose online popularity was only revealed after his death - Leslie Felperin
Joy review – warm and intensely English portrayal of the birth of IVF
Bill Nighy, James Norton and Thomasin McKenzie form the unlikely trio who doggedly, quietly and courageously made the discovery that would change lives around the world - Peter Bradshaw
Memories of a Burning Body review – tenderly conceived docudrama about the enduring sexuality of women
This well-acted film is distilled from the experiences of three women in their 60s and 70s who speak with wit and warmth - Peter Bradshaw
What We Find on the Road review – American road trip in the low-key indie odyssey style
A journey across the US in a convertible that holds some secrets – like a coffin welded into the boot – as a teenager seeks out his father - Catherine Bray
No Place for You in Our Town review – uncomfortably up close with Bulgarian football hooligans
Nikolay Stefanov’s documentary, which follows fans of FC Minyor Pernik, reveals much about what is behind this toxic masculinity - Phuong Le
Piece by Piece review – Pharrell Williams biopic told in Lego is a bit of plastic fun
Morgan Neville’s novel animated documentary, featuring interviews with the US musician, captures his artistic process, if not the whole story… - Wendy Ide
The Piano Lesson review – handsome if stagey August Wilson adaptation
Danielle Deadwyler and Samuel L Jackson shine in Malcolm Washington’s debut feature - Wendy Ide
Paddington in Peru review – hard stares at all involved
Our furry hero goes in search of his Aunt Lucy in a high-action jungle sequel that’s perfectly enjoyable but lacks the wit and magic of its predecessors - Wendy Ide
The Piano Lesson review – Washington family get stuck into August Wilson’s powerful play
This beautifully acted film version of Wilson’s play set in 1930s Pittsburgh is powerful enough without the gothic trimmings it gets here - Peter Bradshaw
Skincare review – Elizabeth Banks horror thriller is a thing of beauty
An LA salon-owner gets involved in an escalating feud with a rival facialist in this blackly comic thriller with a pleasing female focus - Leslie Felperin
Bird review – Andrea Arnold’s untamed Barry Keoghan tale is a curate’s egg
Toads who sweat hallucinogens, lonely pre-teens and a sudden German in a kilt: Arnold’s pick’n’mix latest dives as much as it soars - Peter Bradshaw
A Sudden Case of Christmas review – Danny DeVito plays it safe in mushy festive fare
The comedy veteran is wasted as a grandad hosting Christmas early to keep his family from falling apart - Catherine Bray
Meet Me Next Christmas review – Netflix kicks off season with passable romcom
Christina Milian is a charming lead in the streamer’s first festive offering of the year which is watchable enough given the low bar - Benjamin Lee
I’m Charlie Walker review – stereotype-busting sort-of true story of a trucker and an oil spill
An entrepreneur’s struggles with obstructive business and endemic racism are refreshingly free of preconceptions - Leslie Felperin
Van Gogh: Poets & Lovers review – blockbuster portrait of a thoughtful master
Exhibition on Screen’s latest gallery documentary offers a walkthrough of the National Gallery’s winter show, complete with extras - Andrew Pulver
Bookworm review – father-daughter heartwarmer casts a spell on failed magician Elijah Wood
Though the story is only going one way after a disappointed Vegas conjuror returns to New Zealand to look after the child he’s never met, it’s a fun ride - Cath Clarke
True Chronicles of the Blida Joinville Psychiatric Hospital in the Last Century, when Dr Frantz Fanon Was Head of the Fifth Ward between 1953 and 1956 – review
This sober but compelling study of the man who radically transformed treatment at an Algerian hospital explores the link between mental illness and imperialist violence - Phuong Le
One Mother review – poignant memoir grapples with trauma of foster care
Mickaël Bandela’s documentary reflects on the events that left him in care as a child, and the generational losses that came before - Phuong Le
Overlord: The Sacred Kingdom review - intriguing fantasy franchise is far from your average anime
Its Game of Thronesian intrigue, benevolent Skeletor protagonist and surprising lack of gratuitous violence sets this series apart - Phil Hoad
Pedro Páramo review – Mexican magic realism is full of time slippages and perspective shifts
Adapted from Juan Rulfo’s influential novel, Rodrigo Prieto’s fractured drama of a son’s return home is confusing but powerful - Phil Hoad
Paddington in Peru review – you can take the bear out of South America, but think twice before taking him back
The third instalment in the film adventures of the furry marmalade addict may boast Olivia Colman as a singing nun but it lacks home comforts - Peter Bradshaw
The Problem with People review – old-country lark takes on blarney-fuelled family feud
Paul Reiser and Colm Meaney go into cliche mode when an Irish patriarch wills half his legacy to his son’s unknown American cousin - Cath Clarke
Blitz review – Saoirse Ronan stars in Steve McQueen’s sturdy wartime London drama
A boy and his mother search for each other as German bombs rain down in the Oscar-winning director’s straightforward period drama - Xan Brooks
Super/Man: The Christopher Reeve Story review – respectful documentary gives the full picture
From his breakthrough roles to his life-changing accident, this rounded film portrays the courage and resilience of the late film star - Xan Brooks
Juror #2 review – you want far-fetched? Try Clint Eastwood’s 12 Angry Men remake
Nicholas Hoult plays a murder trial jury member who knows more than he should in the veteran director’s dogged courtroom drama - Xan Brooks
The Delights review – in-depth look at rural schoolboys reveals a hidden Argentina
An agro-technical boarding school is the subject of this striking documentary, which offers vignettes of growing pains and childlike wonder - Phuong Le
Listen Up! review – tonally jarring comedy on multicultural integration and teenage trans identity
This curate’s egg of a film’s crude humour feels somewhat at odds with the big issues it’s exploring, even if doing so more or less sympathetically - Catherine Bray
Juror #2 review – Clint Eastwood puts Nicholas Hoult in court … and an unusual pickle
The 94-year-old director has delivered a courtroom thriller that pits justice against self-preservation - Ryan Gilbey
Martha review – sharp if spotty Netflix retrospective on Martha Stewart
The ‘doyenne of domesticity’ proves a blunt and at times frustratingly opaque yet always compelling subject in a new documentary - Adrian Horton
The Moogai review – Stolen Generations trauma feeds a haunting horror film
Jon Bell’s bold and daring film about a mother who is stalked by a child-stealing bogeyman is a little underdeveloped - Luke Buckmaster
Music by John Williams review – the man behind the soundtracks, from Star Wars to Superman
Steven Spielberg, Yo-Yo Ma and Chris Martin contribute to this fascinating if fleeting glimpse into a remarkable career that also encompasses Jaws, Indiana Jones and Harry Potter - Imogen Tilden
This Search for Meaning review – slick reminder of radical rockers Placebo
Eye-opening archive footage and a Bowie appearance are the highlights in an otherwise polite but bland documentary - Cath Clarke
Midas Man review – Jacob Fortune-Lloyd is heartfelt as Beatles’ kingmaker
As the ‘fifth Beatle’ Brian Epstein, Fortune-Lloyd’s performance holds an otherwise sanitised narrative together in well-meaning biopic - Leslie Felperin
Dr Strangelove review – Steve Coogan scores a quadruple cold war coup
Adding a fourth role to Peter Sellers’ three turns in the classic film, the comic excels in a fun yet unadventurous adaptation - Arifa Akbar
Freedom (Libre) review – Lucas Bravo oozes charisma as gentleman robber
This frothy film tells the true-crime story of the so-called polite bandit Bruno Sulak, who goes on a crime spree in 1980s France, but insists his gang never fire their guns - Leslie Felperin
The Divided Island review – emotional stories from all sides of the Cyprus conflict
Cey Sesiguzel’s documentary covers a lot of history – and not always in the most dynamic way. But the testimony of survivors of war forms its powerful core - Phuong Le
Matt and Mara review – freewheeling Canadian romance
Small moments speak volumes as a poetry professor and a novelist rekindle their friendship in Anne at 13,000ft director Kazik Radwanski’s latest - Wendy Ide
The World of Tim Burton review – a tour around a singular creative mind
The director is the subject of an immersive touring show that ranges from his drawings since childhood to Michelle Pfeiffer’s Catwoman outfit - Rowan Moore
The Room Next Door review – Almodóvar’s stylish end-of-life drama feels emotionally empty
Tilda Swinton and Julianne Moore seem constrained in the Spanish director’s uneasy first English-language film, winner of this year’s Venice Golden Lion prize - Wendy Ide
Canary Black review – Kate Beckinsale kicks impeccably chic ass in gender-flipped Taken
Oblivious he’s married to a spy, Beckinsale’s husband is kidnapped – cue the baddies demanding a secret file, some fancy action sequences, lots of gunshots and a nice trenchcoat - Leslie Felperin
Don’t Move review – high-concept Netflix survival thriller has its moments
A grieving woman is paralysed by a psychopathic serial killer in a solid Sam Raimi-produced shocker that boasts some genuine suspense - Benjamin Lee
Road Diary: Bruce Springsteen and the E Street Band review – still blowing minds after 50 years
Thom Zimny deftly weaves archive footage, recent live performance, candid interviews and fan tributes to create a rich portrait of a modern icon and his legendary band - Ben Beaumont-Thomas
The World of Tim Burton review – Johnny Depp’s scissorhands can’t cut through the cobwebs and corpses
The Design Museum, LondonThis world-touring exhibition showcases the kooky, gothy director’s early passions and obsessions – but he’s no Edgar Allan Poe - Jonathan Jones
Family Pack review – Jean Reno is game for a laugh in card-based time-travelling caper
A family playing a game are sent back in time to a medieval village where they must kill werewolves in order to return to the future - Phil Hoad
Kenya review – Mexican trans sex worker seeks justice for murdered friend
Gisela Delgadillo’s pulsating debut documentary on the streets of Mexico City follows the magnetic Kenya and her tireless efforts to provide a voice for community - Phuong Le
The Crime is Mine review – Isabelle Huppert and co revel in Ozon’s frothy French crime caper
Set in 1930s Paris, François Ozon’s theatre-world courtroom comedy is a fizzing if throwaway delight - Wendy Ide
Piper review – Elizabeth Hurley dances a merry tune in cheesy rat-based folk horror
Hurley arrives in Pied Piper territory with her daughter to take a teaching job at a creepy private school. Soon enough the town’s infamous rodent problem starts being an issue - Leslie Felperin
Red One review – charm-free festive caper with Dwayne Johnson
A strictly bodyguarded Santa is hijacked in this oddly pitched, CGI-heavy action-adventure - Wendy Ide
Piece By Piece review – heartfelt biopic of Pharrell Williams’s life … in Lego
The remarkable story of a brilliant musician and producer is told in this surreal but also strangely wrongheaded film - Peter Bradshaw
Pontypool review – scattershot horror with a shock jock but few frights
The 2008 Canadian film about zombie-like hordes spreading a verbal virus is given a Welsh update, with a radio host refusing to rein in his divisive rhetoric - Chris Wiegand
Singham Again – third time around for Ajay Devgn’s supercop leading selection box of star names
The big Diwali release is the latest entry in Rohit Shetty’s ‘Cop Universe’, once again featuring Devgn as the purveyor of supposed nation-saving cool - Mike McCahill
Super/Man: The Christopher Reeve Story review – fascinating tribute undermined by bombast
The life of the actor who played Superman before becoming paralysed, told by his own children, is poignant enough so why the cod-mythic animations and pompous music? - Ryan Gilbey
Time Cut review – tinny time-travel Netflix slasher offers too much deja vu
The streamer’s gimmicky and over-familiar Halloween offering sees a teen going back to 2003 to save her sister from a masked killer - Benjamin Lee
The Last Front review – old fashioned first world war drama fights familiar battle
Iain Glen is a sturdy presence leading a Belgian village’s resistance to the German advance, but there are limp scenes and soggy cliches aplenty - Cath Clarke
Secrets of a Wallaby Boy review – low budget romp-com tracks delivery rider round his route
Nice performances from the leads aren’t enough to save this comedy about a bawdy bike courier from floundering in a slew of crass sex jokes - Cath Clarke
Venom: The Last Dance review – Tom Hardy’s jaded antihero carries messy Marvel finale
Alien parasites are only half the problem as Hardy’s Eddie Brock battles existential demons and an incoherent plot - Wendy Ide
Venom: The Last Dance review – messy sequel ends series with a shrug
Tom Hardy’s agreeably silly Marvel franchise wraps things up in a patchy final adventure that needed a tighter, and funnier, script - Benjamin Lee
My Freaky Family review – overly quirky and unforgivably mawkish animation
This children’s film about a normal girl in a magical family strives for zany, anarchic fantasy. Unfortunately it’s just boring - Luke Buckmaster
Classified review – Aaron Eckhart hitman thriller mines newspaper ads for coded messages
There is shockingly bad dialogue and a lot of extras waiting to fall over dead as Eckhart’s killer for hire finds all is not what it seems - Leslie Felperin
Rebellious review – hero princess kidnapped by evil witch in tale looking for feminist cred
Even with a feisty female protagonist the convulted plot of this kids’ animation is full of outdated stereotypes and barely scrapes past the Bechdel test - Cath Clarke
Matt and Mara review – lo-fi answer to When Harry Met Sally offers uncertain relationship
This lo-fi Canadian dramedy feels like an excursion into nothing much, as a vague college friendship is rekindled - Peter Bradshaw
Brothers review – throwaway madcap comedy wastes a host of stars
Peter Dinklage, Josh Brolin, Glenn Close, Marisa Tomei and Brendan Fraser are lost in this brief and silly Amazon caper about low-level criminals - Jesse Hassenger
Holiday Twist review – could this be the worst Christmas movie ever?
This tale of a female Scrooge discovering ‘the true meaning of Christmas’ will elicit copious tears … at the time you have wasted watching such drivel - Catherine Bray
Red One review – bronto-head Dwayne Johnson weighs down Santa kidnap comedy
Christmassy slush and gush smothers all attempts at comedy in this bland family film about Santa’s musclebound personal security guard - Peter Bradshaw
Here review – cursed Forrest Gump reunion is a total horror show
The director reunites with Tom Hanks and Robin Wright for an ugly de-aged nightmare that boringly follows the same house throughout time - Benjamin Lee
Dark Feathers review – erotic hitwoman thriller approaches The Room levels of kitsch disaster
Star and co-director Crystal J Huang plays a ballroom-dancing geisha assassin in this preposterous LA melodrama - Phil Hoad